The exhibition represents a unique assembly of well-known and lesser-known works of conceptual and performance art. Thematically concentrated, while also including art works in considerable numbers, the curator’s selection stresses environmental motifs in art from the 1960s to the 1980s.
In collaboration with numerous regional, state and private collections and non-profit associations at home and abroad, Bratislava City Gallery has prepared a thematically orientated international exhibition enriched with works from its own collections.
The exhibition represents a unique assembly of well-known and lesser-known works of conceptual and performance art. Thematically concentrated, while also including art works in considerable numbers, the curator’s selection stresses environmental motifs in art from the 1960s to the 1980s.
Stories of art are developed and counterposed here: parallel (but often intertwining) stories from two modern European federations that ceased to exist at the end of the twentieth century. At this exhibition one can see experimental, investigative, critical and emancipatory art practices, which frequently even go beyond the limits of art. Unexpected situations confront us as we trace the opening of new horizons of cultural exchange, between regions of Europe whose history had latterly been determined by communist ideology, as well as by an uncompromising pursuit of freedom.
Haptic Echo. Nature, Body, Politics and Art in the Former Yugoslavia and Czechoslovakia
Exhibition Catalogue
The publication is the result of many years of collaboration and research by three experts: Miško Šuvaković, Darko Šimičić, and Daniel Grúň, from Belgrade, Zagreb, and Bratislava. The object of their interest is the divergent or asymmetrical art histories of Yugoslavia and Czechoslovakia between the 1960s and the 1980s.